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Poetry Review: “Noon until Night” — The Whole Struggle

October 25, 2017
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Comparisons and guesses about influence aside, poet Richard Hoffman’s voice is individual, original, and strong.

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Book Review: Patti Smith’s “Devotion” — Not Devoted Enough

October 25, 2017
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The short volume promises a glimpse into Patti Smith’s intuitive creative process — but disappoints.

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The Arts on Stamps of the World —October 25

October 25, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Concert Review: Martha Argerich and the Orchestra dell’Accademia Nazionale di Santa Cecilia at Symphony Hall

October 24, 2017
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Far more impressive than pianist Martha Argerich’s impeccable mechanical abilities are her interpretive chops. Here, she’s truly in a league of her own.

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Jazz CD Reviews: Wadada Leo Smith — Paying Superb Homage to Monk, and Other Heroes

October 24, 2017
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That’s why Wadada Leo Smith’s musical visions are so miraculous: there’s an impression of drift, yet they rarely meander.

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Dance Review: Faye Driscoll — Dull Deconstruction

October 24, 2017
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Faye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.

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The Arts on Stamps of the World —October 24

October 24, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Poetry Review: Dark Illumination in the “Punk Hotel”

October 23, 2017
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Poet Rob Cook bends time and space at will, dispenses with natural laws when convenient, and shuffles sensory perception like a deck of cards.

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Jazz Preview: Bassist Gary Peacock Plays What He Doesn’t Know

October 23, 2017
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Veteran bassist Gary Peacock doesn’t differentiate between experimental and straight-ahead jazz.

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The Arts on Stamps of the World —October 23

October 23, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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