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If a new generation of community news organizations is to grow and thrive, then we need a renewed sense of civic engagement. And in order to foster that civic engagement, we need journalism that doesn’t just report the news but also listens and collaborates.
New Fries’ latest effort never fails to stimulate: the band has crafted a record that challenges the idea of what a pop song is and can be — in two very different ways.
Cinema reviewing exists as a respected profession only as long as the traditional role of the critic is honored.
The Boy in the Field is the latest novel from Margot Livesey, a prolific writer with a keen eye for the interiority of her characters, a skill that enriches her novels with a rare intimacy and immediacy.
While there’s plenty of wistful romance and character-driven conflict to keep Summerland rolling along, the narrative isn’t exactly plausible.
An appreciation of a footbridge that intertwines nature with our humanity.
Filmmaker Oliver Stone’s memoir is an exhilarating primer for anyone who wants to understand his reputation as a writer and director.
Grétry’s Raoul Barbe-Bleue — the story of the original lady-killer, Bluebeard — receives its world premiere recording and it’s splendid.
Yes, Newport Folk’s all about the music, but there’s also a collaborative heart at work — and virtual programming spurred donations for the non-profit’s mission to endure.
Author Remembrance: Writer Pete Hamill — Sane, Liberal, and Literate
The blogosphere might be very useful as propaganda or as therapy. But it’s not journalism.
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