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For fans of Pink Floyd, the book’s first half, with its treasure trove of early Floyd photos, is the main draw; the remastered release of Delicate Sound of Thunder offers a definitive picture of what Pink Floyd actually performed during the 1987 tour.
Nothing to recommend in Daniel Lozakovich’s take on the Beethoven Violin Concerto, but Midori’s performance of the piece is completely unpretentious, natural, and exciting. Gidon Kremer & friends serve up a terrifically flexible version of Carl Reinecke’s adaptation of Beethoven’s Triple Concerto.
Those looking to understand why Dolly Parton is such an icon, or searching for a thoughtful and witty alternative to Hillbilly Elegy, would do well to read this book.
A delightful and compact opera — from a generation before Mozart — that cuts various social types down to size.
This is not your typical horror film; it thoughtfully explores how houses and people can both be haunted.
“I don’t want to show myself because I don’t think I’m very interesting to look at. The world is filled with so many other interesting things to look at.”
“I think these shots bring out the fierceness of black metal, and the models are saying, ‘We can be this.’”
It’s hard to imagine many of Gail Mazur’s poems emerging from anywhere else than from inside Route 128.
In this innovative series, the Huntington Theatre Company has charged 11 local playwrights to imagine a future vision of Boston, post-pandemic, when “we can once again meet and connect in our city.”
Composer Anna Clyne’s new disc displays her maturity as a composer and brilliance as an orchestrator; pianist Simone Dinnerstein builds a number of bridges between Philip Glass and Franz Schubert; pianist Hélène Grimaud’s interesting program is marred by some uneven Mozart.
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