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It is pretty clear that this Canadian band was not in the right place at the right time, despite the ferocious energy and speed of its music and sublime performances.
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Channeling equal parts Lucinda Williams and Levon Helm, the album features Robin Lane’s rich, earthy voice supported by sparse instrumentation.
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Like a magic show where you know you’re being duped and enjoy it all the same, Reiser’s act was something you just settled back and enjoyed without analyzing it too much.
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This little-seen film, disturbing, uncompromising, often darkly funny, should be recognized as one of the most original American independent films of this century.
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Two films look at the hardships and realities of rural life, past and present, at the New York Film Festival.
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Despite some missteps and miscasting bumps along the way, this staging faithfully captures playwright August Wilson’s searing poetic vision.
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While impressive, Life Magazine and the Power of Photography disappoints.
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In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
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Based on the YA series by Soman Chainani, The School for Good and Evil offers little that is new about the adventures of discontented adolescents.
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There is a full lineup of performances scheduled for the next few months in Groton Hill Music Center’s Meadow Hall as the organization’s donors and subscribers prepare for life in the world-class facility.
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