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Were we able to watch all the new TV shows we wanted to in 2022? Hell, no! But here are some favorites.
In Broadway revivals, Topdog/Underdog is absolutely riveting, while Death of a Salesman feels forced and unconvincing.
Sam Mendes writes and directs an poignant ode to the escape we find in going to the movies.
Freedom of expression is a more precious commodity than taste. Conservative critics were very clear about their moral imperative; they confidently vilified artists and terrorized institutions. No one won the culture wars — we lost them.
Here’s my list of two dozen superlative operatic offerings of wildly differing kinds, plus some notable non-operatic offerings.
Jimi’s sister and a Newton-based Hendrix scholar dig into the archives and come up with a coffee table book that celebrates the rock icon.
Christian Tetzlaff’s recital was a breathtaking experience, full of dancelike grace, intelligence, and charm.
In his Celebrity Series debut, pianist Martin Helmchen performed a mostly vivid and colorful evening of Bach.
In this episode of the podcast, Elizabeth Howard talks to poets Diane Alters and Edward Hirsch about the ways we think about grief, publicly and privately.
Translator Interview: John Taylor on Philippe Jaccottet
“We have entered an age of unequivocal partisan discourse, of linguistic robotization, of tiny symbols standing for complex emotions. In total contrast to this, Philippe Jaccottet’s writing constantly shows nuance, attentiveness, perseverance, circumspection, and a genuine quest for essential truths.”
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