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A talented cast does its best to add buoyancy to a script weighted down in palaver.
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From beginning to end, the Aizuri Quartet’s performance delivered invigorating delights.
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Most of this documentary is so beautiful the temptation is to switch off the preachy, didactic soundtrack and just watch and watch.
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The Romanian director has crafted a grueling fable about hate, lies, and misinformation in a small Transylvanian town.
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This gaunt historical narrative examines “love and faith and the fear of God” while also taking on issues of colonialism and masculinity. For the most part, the grand scheme is pulled off.
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Journalist Alissa Quart is hardly the first on the left to lament the dark underbelly of American individualism.
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This pared-down staging of Tony Kushner’s 30 year-old masterpiece invites some reflection, even a kind of nostalgia. But blazing through — with seraphic force — is the harsh reality of how insane we have become.
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Does the world really need another personal abortion story? The answer is “yes,” Pauline Harmange argues.
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Katherine Heiny has a particular talent for opening lines: “Your elderly father has mistaken his four-thousand-dollar hearing aid for a cashew and eaten it.”
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Arts Feature: Best Movies (With Some Disappointments) of 2025