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While one hopes that never-before-released live shows are found and released, it is nice to revisit the start of Brian’s Wilson’s second-chance career.
The Boston Jewish Film Festival supplies some glimmers of optimism.
The exhibit highlights the interplay between Grace Hartigan and the circle of modern poets who became her friends, supporters, and in some cases, patrons.
If any out-there band deserves the opportunity to be in-here, Club d’Elf is it.
Mario Diacono’s works were a guide – a guide to see and think deeply about words and images.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Shakespeare’s “Macbeth” serves as a springboard for a memorable new vision by these inventive, multimedia theater artists.
A new recording of Carl Nielsen’s Symphony No. 5 from the Bergen Philharmonic Orchestra and Edward Gardner captures much of what makes the composer’s writing in it sound so fresh.
At 85, Herbie Hancock can still funk it up.
Arts Remembrance: Donna Jean Godchaux — She Brought Soul and Grace to the Grateful Dead
Donna Jean Godchaux changed the Grateful Dead – adding a Southern accent and feminine energy to this rough-hewn psychedelic troupe – and the Grateful Dead changed Donna Jean Godchaux – elevating her from session singer footnote to jam-scene royalty.
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