Posts
Have a laugh as you read these charmingly funny picture books with your child.
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A welcome addition to the absurdist satire genre of rapper-turned-comedian.
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Even without international-caliber singers and players, Giovanni Piaisello’s “Amor vendicato” works much magic.
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The musical’s focus on truth in journalism resonates in our post-2016, “fake news,” and Artificial Intelligence-saturated environment.
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A 100-year-old novel provides the basis for some sumptuous moviegoing.
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The set impressed in its diversity, boosted by the cohesive breadth of “What Now,” even as its homages grew overt in the second half.
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Karina Canellakis’s tour through Bartók’s “Bluebeard’s Castle” showed why she remains a conductor who continues to exercise a remarkable interpretive power.
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Once again, here was the shock in Cécile McLorin Savant’s subversive conceptual daring.
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Arts Commentary: The Declining State of the Art of Arts Journalism
Theater critics, film reviewers, A&E editors, and arts columnists have been stripped from our dailies and weeklies. Why should you care? Oscar Wilde warned that an age without criticism is “an age that possesses no art at all.”
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