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“I Saw the TV Glow” is nothing short of astonishing, a defining moment in queer cinema in the making and proof positive that Jane Schoenbrun is one of our generation’s most needed filmmakers.
The relationship between the two leads keeps Nowhere Special grounded in what is the film’s moving core — a high-stakes love story between a father and a son.
Veteran British director Ken Loach turns over a new leaf in “The Old Oak”.
“Challengers” is an exploration of eroticism in the broadest sense: the eroticism of competition, the sensuality of sport, and the messiness of human relationships.
Clea Simon’s latest mystery, “Bad Boy Beat,” features the memorable heroine Em Kelton, a tough Boston journalist who can mix with the hard-boiled reporters and hard-living cops on her beat — none of whom want to realize that she happens to be a brilliant detective.
Yes, Munch and Kirchner were into angst; but they were also artists of great energy, talent, and daring, who found new ways of working and did much to shape the direction and force of modern art.
This superb Speakeasy Stage Company/Front Porch Collective co-production is emotionally charged and immediate, intent on keeping the material fresh and raw.
The Bamberg Symphony Orchestra is a rare gem in the already star-studded crown of European ensembles.
“Clue,” a whodunit board game-based comedy, rolled the dice and found success by bypassing Broadway and going directly on tour.
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