Tim Jackson
Beyond the Hills is not the horror film the trailer seems to advertise, but it is certainly horrific.
April is a cornucopia of festivals and screenings, several of which feature speakers and are free. The month is capped off with the region’s top celebration of cinema, The Independent Film Festival of Boston.
This unique and carefully constructed impressionistic narrative encourages viewers to free-associate, assess, and imagine the romantic relationship through the filter of their own memories and experiences.
This new commercially distributed movie gives writer/director Harmony Korine an opportunity to create a vision of decadence that wallows with cartoon glee in a libidinous pop culture wonderland.
Whether or not there’s a real lover, or whether all of this is an elaborate fantasy is beside the point. For Harold Pinter, it may all be the same thing.
Employing every trick of digital capability to astound and amaze eventually becomes little more than hocus-pocus.
The pre-festival film season features free screenings, a selection of international cinemas, many great documentary films, and a weekend of feminist films.
By planning ahead, and purchasing one flexpass, I was able to see a trio of plays in New York during a single weekend for well under $200 — a bargain price for world-class theater productions.
Few events draw more prognosticators than the Oscars, and the Arts Fuse movie critics join in on the universal guessing game. The trio agree on one thing: the field this year is rich with worthy and fascinating nominees.
February is a rich month for film-lovers, filled with screenings of alternative movies and film festivals. There are classics, documentaries, genre films, science fiction, appearances by filmmakers, and cinema from around the world.
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