Tim Jackson
The movie plays all sides equally, providing no answers, no favorites, no villains, no heroes. Everybody’s motives and ethics are in question.
Read MoreThe lightheartedness of the writing and Moore’s unkempt look are jarring, but the film effectively delivers lessons about progressive policies.
Read MoreHere’s one more wrap-up of the year in film.
Read MoreThe Hateful Eight is Quentin Tarantino’s richly textured love letter to B movies.
Read MoreRuminations on age and memory are inevitably sunk deep into the flesh and the glue of personal relationships.
Read MoreBrooklyn‘s script neatly consolidates the novel’s trials and tribulations without becoming too saccharine.
Read MoreAlice Rohrwacher’s film, which won the Grand Prix at the 2014 Cannes Film Festival, is a rarity — it is genuinely magical.
Read MoreSara Silverman throws herself into depicting Laney’s mental illness and out-of-control life.
Read MoreThe actors draw you in, so there is no need for extraneous exposition as the film carefully examines the ironies of the Brazilian class system.
Read MoreWhen they watch Black Mass what are Bostonians seeing? A strange blend of reality and mythology.
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