Steve Provizer

Arts Remembrance: Saxophonist/Composer/Arranger Benny Golson –“I Remember Benny”

September 24, 2024
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Benny Golson’s accomplishments were enormous and lasting.

Arts Appreciation: The Late Dan Morgenstern — Jazz Writer, Editor, and Archivist

September 10, 2024
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Two jazz writers for the magazine pay homage to the indispensable accomplishments of jazz writer Dan Morgenstern, who passed away on September 7 at the age of 94.

Concert Review: Tuba Skinny — Creating Traditional Jazz Anew

September 8, 2024
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The 8-piece band Tuba Skinny is one of the most entertaining purveyors of traditional jazz around.

Musician Interview: Veteran Vocalist/Pianist Ben Sidran on Expanding the Aural Horizon in “Rainmaker”

July 29, 2024
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“Popular music in America is already so formulated and dumbed-down that the fear of AI making it more trivial is probably beside the point.”

Concert Review: A Far Cry — A Compelling Evening of Music about Homecoming

July 18, 2024
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Happily, the string orchestra A Far Cry has the skill to back up its good intentions with good music.

Arts Commentary: Record Companies Suing AI — Who Owns Input?

June 30, 2024
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The real action, rest assured, will take place in the counting house, not the courthouse.

Book Review: “The Jazzmen” — Three Private and Public Lives, Intertwined

May 12, 2024
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In this book, readers are given a full taste of the lives of three complicated musical artists.

Book Review: “At the Vanguard of Vinyl” — Illuminating and Frustrating

April 28, 2024
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Other readers may be more sympathetic to this informative book’s broader conclusions about the rise of LP’s and the “erasure of black bodies and black aesthetics.

Jazz Album Review: Chet Baker and Jack Sheldon — “The Lost Album”

April 20, 2024
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The music works. The session is among old friends. The rhythm section cooks and every solo holds one’s attention.

Book Review: “Jazz With a Beat: Small Group Swing, 1940-1960” — Told With an Edge

February 27, 2024
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Shouting and honking saxes made visceral appeals to the emotions and the body. For jazz critics, this kind of theatricality degraded what should have been ‘Art.’

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