Robert Israel

Theater Review: “Out of Sterno” — Absurd to the Point of Distraction

July 4, 2015
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Out of Sterno punches the same punchline far too often.

Visual Art Feature: Toronto’s Aga Khan Museum — An Experience of Tranquility

June 25, 2015
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The Aga Khan Museum should also be appreciated as a source of inspiration.

Theater Review: Gloucester Stage Company’s “Sweet and Sad” — Subtle to a Fault

June 16, 2015
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Richard Nelson does not compel us to pay attention to his characters’ psychological disclosures, and his reluctance to underline is refreshing.

Fuse Theater Review: “Mothers & Sons” — Surveying, With Understanding, the Battles Ahead

May 16, 2015
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Mothers & Sons raises important questions about struggle, acceptance, and love, dramatizing battles that are still being waged.

Theater Review: Elie Wiesel’s “Choice” — A Tragic Parable About Loss

April 14, 2015
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Despite the well-intentioned efforts of the cast, Eli Wiesel’s words were lost in space.

Theater Interview: Actor Marc Labrèche — On Robert Lepage’s “Needles and Opium”

March 30, 2015
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“It is just when we delve deeper into the sorrows of our lives, the sorrows we have all endured, that our humor saves us.”

Theater Review: Culture Clash at 30 — Still Making Ballsy Political Theater

March 16, 2015
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Culture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.

Arts Commentary: Baltimore’s American Visionary Art Museum Envisions the Future — Now

March 1, 2015
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To call the American Visionary Art Museum quirky would be an understatement: therein lies its charm as well as one of the reason for its success, even in economic hard times.

Arts Remembrance: Poet Philip Levine — A Voice of Muscle and Grit

February 16, 2015
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Last Saturday, poet Philip Levine died at the age of 87 in Fresco, California. Here is a reprint of an Arts Fuse appreciation of the writer, originally posted in May of last year.

Theater Review: “Necessary Monsters” — A Confusing Walk on the Wild Side

December 12, 2014
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Attempting to dig underneath our protective psychic skins to get at the festering Ids within, John Kuntz would like Necessary Monsters to mesh laughter and fright, comedy and horror.

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