Robert Israel
Attempting to dig underneath our protective psychic skins to get at the festering Ids within, John Kuntz would like Necessary Monsters to mesh laughter and fright, comedy and horror.
Galway Kinnell served as the Poet Laureate of Vermont and penned a number of poems, which often took the form of pastoral ramblings, that celebrated his appreciation of the rural life.
The play’s lead characters – representing polar opposites, cultural versus religious Judaism – ultimately exhaust one another, and us.
Pride is poignant celebration of the power of the human element, a carefully layered tale of solidarity.
The more-than-satisfactory appeal of Traces is to see these gifted athletes perform time-honored circus skills – the attempt to make the performers look like televised rock stars falls flat.
Director Eric C. Engel and the Gloucester Stage Company cast gives Fences an insightful and nuanced production.
4000 Miles is a showcase for dramatist Amy Herzog’s quirky sensibilities and canny insights into family dynamics.
The Tony accolades bestowed upon A Gentleman’s Guide to Love and Murder, will no doubt assure Darko Tresnjak’s future on Broadway.
Women are the dominant force in “Amaluna.” They command the evening’s whirligig of a stage as aerialists, clowns, musicians, dancers, and contortionists.
Arts Remembrance: Poet Philip Levine — A Voice of Muscle and Grit
Last Saturday, poet Philip Levine died at the age of 87 in Fresco, California. Here is a reprint of an Arts Fuse appreciation of the writer, originally posted in May of last year.
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