Robert Israel
This is an opportunity to take in the early stirrings of Tennessee Williams’ talent as a playwright.
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Given what Olga Tokarczuk is curious about, it is not surprising that her book serves up its share of goofy humor.
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The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
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There are 170 recipes in King Solomon’s Table . Joan Nathan, a sort of culinary archeologist, tracks down the details of their origins to Biblical times.
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A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
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Fall’s conflict is presented with insufficient power; its domestic tragedy is not propelled along its inevitably troubling course.
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Why has Bernard Weinraub chosen this secretive chapter of Miller’s life as fodder for his play?
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A resplendent and spirited revival of The Sound of Music in downtown Boston.
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But, amidst all this excitement, there was an undertow of concern in the crowd at this year’s IRNE Awards.
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Theater Commentary: Jukebox Musicals — The Trend Continues, Alas
Producers are tapping into a specific demographic: predominantly white audiences that are flush and who crave the thrill of hearing – and seeing – their favorite tunes performed live.
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