Roberta Silman
In The Flounder, John Fulton is clearly at the top of his game. His prose has that rare thing — a sense of intimacy.
Fearless Women is so well-written, so well researched, and so engaging that you will find it of real value even as it tells some stories you thought you already knew.
Kantika is Elizabeth Graver’s poignant homage to her grandmother, but it is also a testament to her talent as a storyteller, to make a narrative so believable and compelling and, indeed, sometimes funny, just as it is in life.
As Spring approaches, a treat. An excerpt from Summer Lightning, the latest novel by Arts Fuse critic Roberta Silman. It is a book that attempts to convey happiness.
We can only wonder what Katherine Mansfield might have given us had she lived a normal life span, yet we should cherish what we have, as Claire Harman has done so beautifully.
Although science is Andrea Barrett’s springboard, she is writing fiction about the people who do scientific research and teach it: memorable people who have hearts and secrets and feelings and hopes and dreams and goals.
In Claire Keegan’s fiction, each sentence matters and each, sometimes very ordinary, action has real consequences.
A superb new translation in one volume of the two Chéri novellas, regarded as Colette’s masterwork.
A.B. Yehoshua was anything but a provincial Israeli writer. He was literary giant whose imaginative gift was so striking and diverse that you never knew what he would do next.
Book Appreciation: Celebrating Kate Atkinson’s “Life After Life” –The Best Novel of the 21st Century
In “Life After Life,” novelist Kate Atkinson has shown how boundless the imagination can be.
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