Ralph P. Locke

Opera Album Review: Meyerbeer’s Disturbing Look at a Demagogue, “Le Prophète” (1849) — at Bard Summer Festival and on a New Recording

July 19, 2024
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Long one of the most-performed French operas, “Le Prophète,” thanks to some splendid performances, feels as vivid and relevant as ever.

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Opera Album Review: A Devilishly Good First Recording for Louise Bertin’s “Fausto”

June 26, 2024
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Much praised by Berlioz and others, this Italian opera (composed for the great mezzo María Malibran) brings a notable female composer out of the shadows.

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Opera Album Review: A Major New Opera that the Met Has Ignored — Tobias Picker’s “Awakenings”

June 22, 2024
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This world-premiere recording lets us hear one of the most effective recent operas, based on the famous book by Dr. Oliver Sacks.

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Opera Album Review: Cyrille Dubois Does French Opera Arias — A Major Release to Treasure

June 3, 2024
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French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.

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Opera Album Review: “Circé,” A Big Hit from the 2023 Boston Early Music Festival, Now Enchantingly Recorded

May 13, 2024
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The BEMF performed the work in July 2023 in New England Conservatory’s Jordan Hall, to enormous enthusiasm.

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Opera Album Review: Rimsky-Korsakov’s “Christmas Eve” — Steeped in Pagan Pantheism, Brilliantly Performed

May 8, 2024
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Rimsky-Korsakov’s delightful village comedy, based on a Gogol short story, receives a modern recording that features a superb international cast.

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Classical Album Review: “Compositrices — New Light on French Romantic Women Composers”

April 27, 2024
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By Ralph P. Locke An 8-CD set of diverse and enjoyable works, brought back from obscurity by Aude Extrémo, Roberto Prosseda, and other major performers. Compositrices: New Light on French Romantic Women Composers Cyrille Dubois and Yann Beuron (t), Aude Extrémo (mz), Claire Le Boulanger (fl), Roberto Prosseda, Alessandra Ammara, and Nathalia Milstein (p), and…

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Opera Album Review: A Gold-Medal Recording of a Baroque Opera about the Ancient Greek Olympics

March 22, 2024
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The shamefully belated release of the first recording (1992!) of “L’olimpiade,” a major work by Hasse (a renowned contemporary of Handel and Vivaldi), featuring some of the best singers of the day, including male soprano Randall K. Wong.

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Opera Album Review: Two Comic Operas Thrive in Frenchified Versions

March 18, 2024
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Much-loved short works by Pergolesi and Mozart storm the stage, thanks to spiffy French dialogue between the musical numbers.

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Opera Album Review: Gluck’s Final Opera Finally Steps into the Spotlight via a Superb New Recording

March 13, 2024
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Rejected in Gluck’s time because it lacked dramatic thrust, today “Écho and Narcissus” proves to be a candy-box of delights.

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