Ralph P. Locke

Book Review: The Fascinating Life Story of a Great American Composer — Samuel Adler

October 17, 2024
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Samuel Adler, now 96 and still composing, has released an updated version of his rich, entertaining, and sometimes gripping memoir of a life well lived.

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Opera Album Reviews: A Major Classical Label Arises — Four More Fine Baroque Operas

October 12, 2024
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Each of these four works has its own flavor, and lovers of Baroque and Classic-era music will happily scoop up one or more of the recordings.

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Opera Album Review: Baroque Music Enlivens the Boston Music Scene and Two New French Recordings

September 17, 2024
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The Boston Early Music Festival announces its 2024-25 season, and our critic welcomes world-premiere recordings of operas by Mondonville and Destouches, splendidly sung and glitteringly played.

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Opera Album Review: The Music of Georg Philipp Telemann — Finally Getting Its Proper Recognition

September 8, 2024
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You want Baroque energy and Early Classic poise? Here’s a first-rate recording of a one-act, one-singer opera by Telemann along with some of his imaginative orchestral works.

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Opera Album Review: First-Ever Recording of “Shamus O’Brien” — A Long-Forgotten Delight by One of Britain’s Savviest Composers

September 2, 2024
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A success in 1890s London and New York, the engaging Irish comic opera “Shamus O’Brien” finally gets Its world-premiere recording

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Classical Album Review: Baroque Music — But Guitar, No Harpsichord — Beautiful!

August 19, 2024
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In Handel’s day, excerpts from his operas were often played at home, without singers. They sound great on this new recording by the group humorously (and quite inaccurately) called False Consonance.

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Opera Album Review: One of Saint-Saëns’s Best Operas — Finally on Disc!

August 15, 2024
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We have a recording of “Déjanire,” its first ever. And it’s splendid, with a superb cast, an insightful conductor, and the orchestra and chorus of the very city in which it was first performed a century earlier!

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Opera Album Review: The Met’s Biggest New-Opera Hit — Kevin Puts’s “The Hours”

August 8, 2024
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When the front page of the newspaper is getting me down, I can feel at least somewhat buoyed by remembering that we live in a world that can produce such profoundly touching and empathetic works of art as Kevin Puts’s “The Hours”.

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Opera Album Review: Meyerbeer’s Disturbing Look at a Demagogue, “Le Prophète” (1849) — at Bard Summer Festival and on a New Recording

July 19, 2024
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Long one of the most-performed French operas, “Le Prophète,” thanks to some splendid performances, feels as vivid and relevant as ever.

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Opera Album Review: A Devilishly Good First Recording for Louise Bertin’s “Fausto”

June 26, 2024
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Much praised by Berlioz and others, this Italian opera (composed for the great mezzo María Malibran) brings a notable female composer out of the shadows.

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