Peter Keough
The Museum of Fine Arts screens some ripples from the New Wave.
In her new documentary about the crises in Brazilian democracy, Petra Costa examines a factor involved in the election of Jair Bolsonaro that was largely overlooked in the first film — the toxic power of the evangelical movement.
This is an auspicious feature debut, a doomsday thriller that touches on resonant topical issues.
If the destiny of documentaries is to become celebrity profiles, it could do worse than those screening at this year’s PIFF.
At the Global Cinema Film Festival, some look for love and life in all the wrong places.
Redemption awaits “When Fall Is Coming.”
The future for documentaries looks troubling, but the IFFBoston perseveres.
Though lapsing at times into hagiography and muddled synopsizing, James Miller’s study of filmmaker Pedro Almodóvar is a bracing reminder of the greatness and ever-evolving genius of this world-class artist.
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