Peter Keough
The 2025 Oscar nominated documentary shorts indict the justice system.
In this compulsively readable novel, a Ukrainian Jewish woman does what she needs to survive in the nationalistic, anti-Semitic, and misogynistic Stalin-era Soviet Union.
A pair of documentaries challenge the fantasies in the Boston Sci-Fi Film Festival
Fascism is faced down in Walter Salles’s Oscar-nominated masterpiece.
The power of cinema persists at the Boston Festival of Films from Iran.
Like all accomplished directors – and architects – Brady Corbet has orchestrated a team of outstanding collaborators into shaping his vision.
It seems every year the quality of feature films, especially those from mainstream studios, is getting worse, while that of documentaries is getting better.
The film is a testament not just to the resilience and courage of Ukrainians in the face of brutal aggression and the threat of genocide but to the power of art to transcend tragedy and injustice.
Director David Charles Rodrigues incorporates this wealth of material, a superflux of images generated by Genesis P-Orridge and the various artistic enterprises s/he founded, with concision and insight. The life and work of his subject is chronicled over the course of a lucid and kaleidoscopic 100 minutes.
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