Peter Keough
Polish director Krzysztof Kieślowski’s marvel universe explored in Three Colors.
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These films provide a glimpse into the workings of a culture and society increasingly cut off from the rest of the world as well as a taste of a cinema that had once been among the world’s greatest and which may one day be again.
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Two recent film releases, both submitted by their countries for the Best International Feature Film Oscar, offer variations on no-man’s-land.
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From Mobile to Mars, from the mind of Robin Williams to the rise and fall of a Pez entrepreneur, and with a side trip to Newton South High.
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Inevitably, by recasting Petra von Kant as a version of Rainer Werner Fassbinder himself, François Ozon has rendered the film self-consciously cinematic.
Read MoreYou may never taking the family on a ski trip again after watching Swedish director Ruben Östlund’s icily satiric study of a family’s breakdown after a near-disastrous avalanche.
Read MoreCocaine’s bleak and brilliant satire, lush and intoxicating prose, and sadistic playfulness remain as fresh and caustic as they were nine decades ago.
Read MoreIt may be only a movie, but in his book “Film after Film,” former Village Voice writer J. Hoberman proves he isn’t just a movie critic.
Read MoreDespite “Middle C”’s relative cheeriness, the novel passes a tough sentence on the human race, so uncompromising that its protagonist has a hard time writing it down.
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Film Commentary: You Know It When You See It — Desire and “Blue is the Warmest Color”
Without its many steamy lesbian sex interludes tarting up what could otherwise be classified as a routine narrative, would “Blue is the Warmest Color” have garnered so many rave reviews and prizes?
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