Peter Keough
Documentaries celebrating communities shine at the Independent Film Festival of Boston.
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In this dreamworld, the politics don’t matter. It’s the artfully gruesome spectacle that counts — that and the hackneyed Hollywood storyline about the hardened veteran mentoring the neophyte through an initiation into the harsh realities of the profession.
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Transformative narratives shape the documentaries in the 40th annual Wicked Queer Film Festival.
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Faith is a very elusive thing in the transcendent “Inside the Yellow Cocoon Shell.”
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This year’s Salem Film Fest spotlights the price of being a rebel.
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Russian satirist Vladimir Sorokin’s excremental vision triumphs in two new translations.
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These films might not often directly address the looming menace of Russia, but the tragic history shared by the countries shadows even their moments of happiness, levity, and hope.
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In his latest feature, filmmaker Wim Wenders extols the simple life.
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“Drive-Away Dolls” is the worst Coen brother movie ever made.
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The plight of refugees is given a fairy-tale treatment in “Io Capitano.”
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