Peter Keough
Though the images are half a century old, the chaos, treachery, and courage recorded bear a chilling relevance to circumstances today in our country and in democracies around the world as right-wing efforts to overturn democratically elected governments proliferate.
Read MoreIn the end, what strikes me most about “Vertigo” is its melancholy, its aura of grief, its mood of inevitable, irredeemable loss.
Read MoreThree gruesome films by debut directors put the horror back in vacui.
Read MorePreoccupied with the little melodramas of their lives and their careers in the arts, the characters in”Afire” put off acknowledging the gathering disaster that might end up at their doorstep.
Read MoreThis shaggy dog story, set in the bowels of Manhattan, in the yet to be gentrified bohemian enclave of SoHo, presented an opportunity for Martin Scorsese to return to bare-bones filmmaking.
Read MoreThe greatest enigma “Oppenheimer” poses is recognizing the difference between good and evil and how to act accordingly.
Read More“Lynch/Oz” roams from The Yellow Brick Road to “Mulholland Drive”.
Read MoreEvery Body complicates and clarifies the gender debate.
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Arts Commentary: Chile’s 9/11 — the Undying and the Undead
Two Chilean artists look at the death of democracy and the aftermath of the 1973 coup.
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