Nicole Veneto
There’s still room for Brandon Cronenberg to grow as a horror director, but Infinity Pool should make his father proud. It’s a sensory nightmare of bodily dissociation and high class decadence that signals a promising start to 2023.
M3GAN is a movie algorithmically generated to spawn as many memes about itself as possible before undiscerning viewers realize what they’re watching is a reworked Black Mirror draft.
With Bones and All, Luca Guadagnino solidifies his place as a filmmaking maverick able to bend genre conventions in ways that express his own painfully beautiful artistic vision.
Amanda Kramer’s created a thoroughly campy and celebratory ode to queerness that stands as both a timely political statement and a genuinely well-crafted piece of independent filmmaking.
Move over Patrick Bateman, there’s a new axe-wielding psychopath for impressionable young cinephiles to project themselves onto in town.
Babysitter tackles the ambiguities of misogyny head-on in a 35 mm sugar rush of magical suburban realism.
This horror comedy traps a cadre of privileged, narcissistic Zennials in a whodunit murder mystery and lets their internet-addled delusions of grandeur tear them apart in the paranoid fallout.
Nope, Jordan Peele’s highly anticipated third feature, is an awe-inspiring marvel about our own unrelenting obsession with spectacle.
Brazilian director Anita Rocha Da Silveira’s latest film is a genre-spliced howl of feminine fury in the face of right-wing Christian conservatism.
The Sadness is an especially brutal film about societal collapse and how public health crises like COVID-19 amplify whatever savage impulses lie dormant within us.
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