Nicole Veneto
I Died a Million Times is an enjoyable and informative read for film noir aficionados and casual movie fans alike, offering a cogent analysis of ’50s gangster noir as a cinema of social commentary.
In its efforts to subvert well-known tropes, and reclaim the subgenre’s feminist cultural potency, Promising Young Woman undercuts its own transgressive potential by doing away with what makes rape-revenge films compelling.
Visual Arts Commentary: The Great Spirit Gets Company