Michael Ullman
Three jazz singers go outside of the Great American Songbook — with entrancing results.
Brian Blade is not only a skillfully discreet: he can be as powerful as any drummer since Elvin Jones.
The late Roswell Rudd tried every sound a trombone could make, all of his efforts marked with a natural musicality.
That’s why Wadada Leo Smith’s musical visions are so miraculous: there’s an impression of drift, yet they rarely meander.
The evening will be an invaluable opportunity to hear sounds, textures, and melodies created by a veteran composer/arranger.
A gripping autobiography and beautiful new solo CD from a master jazz pianist — Fred Hersch.
Matt Wilson’s album includes both beautifully performed musical settings and readings of Carl Sandburg poems.
John Beasley and his big band doesn’t tame Monk or make him uncharacteristically pretty.
Hudson serves up varied, fresh, and exciting free jazz that imaginatively draws on rock, funky blues, and folk music.
Commentary: Best Jazz (and Other) Recordings of 2017
The range of recordings issued this year was remarkable, both in terms of their instrumentation and their artistic inspiration.
Read More about Commentary: Best Jazz (and Other) Recordings of 2017