Jonathan Blumhofer
In conductor Christoph von Dohnányi, the BSO has one of its most trusted guests and thoughtful collaborators.
For their debut on Sunday, Odyssey Opera and conductor Gil Rose could hardly have picked a more spectacular, unfamiliar epic than they did.
Christian Gerhaher is, perhaps, the great Mahler baritone of his generation, while Bruckner is, perhaps, a surprising choice for conductor Kent Nagano, whose championship of new music is legendary.
It’s a pity Witold Lutoslawski’s music isn’t turning up on more orchestral programs in the U.S. this season and next – Benjamin Britten seems to be the centennial birthday boy of choice.
Despite its drawbacks, “Aleko” is a remarkably satisfying opera and filled with much beautiful music.
Two new albums from BMOP Sound reflect the considerable artistry and vision of Gil Rose and the Boston Modern Orchestra Project.
A round-up review of new releases from Harmonia Mundi — an invigorating crop of albums.
This Judicial Review deals with the Boston premiere of John Harbison’s opera version of F. Scott Fitzgerald’s novel The Great Gatsby. Read the reactions and join the conversation.
Fuse Commentary: 2013-1014 Orchestral Season Preview
So, even though certain pieces by Mendelssohn and Beethoven seem to be turning up with greater frequency than perhaps may be healthy, there is still much to admire and look forward to in the upcoming orchestral season.
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