Jonathan Blumhofer

Rethinking the Repertoire #6: Felix Mendelssohn’s “Die erste Walpurgisnacht”

March 1, 2016
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Felix Mendelssohn remains one of the West’s most underrated composers.

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Concert Review: Boston Philharmonic Orchestra at Sanders Theater

February 22, 2016
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Elgar’s brilliant scoring in his Symphony no. 1 was front and center, in this performance not an end in itself but serving clearly expressive goals.

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Classical CD Reviews: Handel’s Water Music and the Vienna Philharmonic’s 2016 New Year’s Concert

February 21, 2016
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Nobody, these days, plays the music of the Strauss family better than the Vienna Philharmonic Orchestra.

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Fuse News: 2016 Grammys for Classical Music

February 16, 2016
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The big news was the well-deserved Grammy for best orchestral performance that the BSO and current music director Andris Nelsons won .

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Concert Review: The Bard in Boston, Part 3

February 16, 2016
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The BSO’s Shakespeare festival has proven to be the most satisfying extended endeavor yet of Andris Nelsons’ directorship.

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Concert Preview: BSO’s Robert Sheena on George Tsontakis’ “Sonnets”

February 11, 2016
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The English horn, of course, is no stranger to haunting melodies.

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Concert Review: The Bard in Boston, Part 2

February 9, 2016
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Everyone on stage seemed to sense that this was a special occasion and the BSO, accordingly, played with an extra jolt of electricity.

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Concert Review: The Bard in Boston – Part 1

February 2, 2016
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This season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.

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Album Review: Bertrand plays Dutilleux and Debussy plus Mendelssohn Symphonies nos. 3 & 4 (Harmonia mundi), and Forsythe sings Handel (Avie)

January 26, 2016
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Three new classical music albums: two are superior, one is a bit of a mixed bag.

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Concert Review: Orchestre National de France at Symphony Hall

January 25, 2016
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My snoring neighbor left during intermission (he was roused a bit when the musical vigor picked up in the finale of the Mozart).

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