Jonathan Blumhofer

Concert Review: Boston Modern Orchestra Project’s “Glass Works”

February 20, 2017
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It was a treat to experience Philip Glass’s orchestral music live and in-person.

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Concert Review: Boston Symphony Orchestra plays Ravel, Benjamin, and Berlioz

February 13, 2017
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Front and center was Andris Nelsons, who, interpretively, seemed more than happy to try on a bunch of different hats.

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Classical CD Reviews: Kozhukhin plays Brahms and Emmanuelle Bertrand’s Saint-Saens

February 6, 2017
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Pianist Denis Kozhukhin does right by Brahms and an all-Saint-Saens disc that, at its best, is a winner.

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Classical CD Reviews: Vienna Philharmonic’s 2017 New Year’s Concert and Previn plays Previn

February 5, 2017
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Gustavo Dudamel takes over the reins of the Vienna Philhamronic’s annual New Year’s concert; a disc of chamber music by Andre Previn.

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Classical CD Reviews: Boston Modern Orchestra Project plays Steven Stucky and Johannes Moser plays Elgar

February 4, 2017
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BMOP releases a fitting, moving tribute to a giant of contemporary music; Johannes Moser turns in a sweeping performance of Elgar’s Cello Concerto.

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Classical CD Reviews: Shai Wosner’s Haydn/Ligeti and Justin Taylor’s “La famille Forqueray”

February 3, 2017
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Hats off to harpsichordist Justin Taylor for the resonant, gripping performances he turns in on his debut album.

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CD Reviews: Mascagni’s “Zanetto” and Thomson’s “Four Saints in Three Acts”

January 24, 2017
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Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.

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CD Reviews: Ken Thomson’s “Restless” and Alberto Ginastera’s “One Hundred”

January 23, 2017
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Ken Thomson’s Restless doesn’t hide from dark places or things; Oberlin Orchestra does right by Argentinian composer Alberto Ginastera.

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CD Reviews: Jerusalem Quartet plays Bartók and Heath Quartet plays Tchaikovsky

January 22, 2017
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Jerusalem Quartet’s Bartók is more elegant than hard-edged; Heath Quartet’s Tchaikovsky is vigorous and sweeping.

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Music Preview: Interview with Composer Adam Schoenberg

January 20, 2017
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Adam Schoenberg is also one of the most widely-performed living composers of orchestral music; in fact, he’s among the top-ten in that category.

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