Jonathan Blumhofer
On first impression, John Williams’ second violin concerto didn’t strike me as an instant classic, but there’s more than a little here to warrant repeated listening.
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This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
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This is a disc that begs for a sequel (or a whole series).
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The orchestra’s summer home is operating at reduced capacity this season, but it’s wonderful to have the BSO and its public reunited.
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Violinist Randall Goosby’s Roots tells a singular story, one that grows and deepens on repeated listening.
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Americans is a winningly-programmed, strongly-realized effort.
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Cellist Alessio Pianelli’s playing is songful and lovely. The Avos Chamber Orchestra — essentially a student orchestra — imbues their performances with a confidence and surety that is inspiring.
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The most striking thing about violinist Augustin Hadelich’s approach to these Bach pieces is his emphasis on the music’s dancing line.
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A singer with a gleaming instrument that’s at once mighty and agile, Lise Davidsen’s drawn comparisons with some of the legendary voices of the past.
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A welcome entry in complete sets of Camille Saint-Saëns’ five symphonies — a composer of his caliber deserves a wealth of viewpoints.
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Arts Commentary: Rich in Creativity — But Nothing Else