Jonathan Blumhofer
During the pandemic months, Conrad Tao – who, in addition to being an exceptional pianist, is also an accomplished composer – has evidently been honing his skills as an improviser.
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The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.
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This disc highlights various, early-20th-century works inspired by the Kalevala, the Finnish creation epic. It is a fantastic demonstration of creative programming and invigorating orchestral performance.
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A mightily played, deeply felt, and finely recorded album from Trio Con Brio.
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Florence Price’s voice and the richness and complexity of an almost-entirely neglected body of symphonic music by Black American composers can be heard in this excellent recording.
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This is an album of real spirit and vigor, a mix of the thoughtful and the exciting, all bracingly recorded.
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This weekend’s concerts all add up to a quintessential Symphony Pro Musica event: a mix of the familiar and unexpected, with various old friends coming by to visit along the way.
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Beethoven never left Europe. But he could have. And the possibility that he might have visited Boston is the basis of Paul Griffiths’ touching, witty, and thought-provoking new novel.
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May the Boston Symphony – which just concluded its annual weekend celebrating the music of Black composers by shunting them off on their own, away from Rachmaninoff, Strauss, Beethoven, and Friends – take note: this is how it should be done.
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A terrific album, commandingly played, that adds to our knowledge and appreciation of this too-long neglected repertoire.
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