Jim Kates

Book Review: “In Memory of Memory” — Riven Recollections

March 31, 2021
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It is the loss of memories and the meaning of memory that dominate, generating speculations that draw the reader into and through Maria Stepanova’s argument and interpretations.

Book Review: “The Movement” — The Struggle for Civil Rights, Abbreviated

January 26, 2021
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The Movement works best as a stripped-down, high-speed introduction to the struggle for civil rights, nothing more.

Poetry Review: Paul Celan — The Anguish of Writing in a “Damaged” Tongue

December 9, 2020
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Poet Paul Celan has come to embody in person and in print the agonies of a half century of European culture.

Poetry Review: Gail Mazur’s “Land’s End” — Poems of Questions and Declarations

November 25, 2020
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It’s hard to imagine many of Gail Mazur’s poems emerging from anywhere else than from inside Route 128.

Poetry Review: Henri Cole’s “Blizzard” — Writing as an Act of Revenge

August 27, 2020
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In Henri Cole’s best poems, the outside and the inside interpenetrate and merge.

Poetry Review: “Outside” — Poetry and Prose of French Writer André du Bouchet.

July 5, 2020
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Take the poems slowly, enjoy the Cage-y silences, the concentrated words as they appear.

Poetry and Prose Review: Joseph Brodsky — Revisiting an Icon

June 27, 2020
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For a generation of Russians, Joseph Brodsky was the poet, almost a code-word in the discourse of the intelligentsia, like Nabokov.

Poetry Review: “The Mother House” — Poems with the Demeanor of Nuns

May 19, 2020
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In these poems, contemplation, serenity, and service are the order of the day.

Theater Review: “Robert Frost: This Verse Business” — Friendly to a Fault

February 9, 2020
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The overall effect is one of a genial, superficial club lecture on reading and writing poetry, punctuated by Frost’s Greatest Hits.

Theater Review: “Rose” — A Well-Acted Excursion in Storytelling

September 12, 2019
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Carolyn Michel’s Rose is the sociable stranger on the bus who tempts you to miss your stop so you can hear her out to the end.

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