Jeremy Ray Jewell
This Nashvillian has a simple message for America: “You best pull yourself together, or you might never be the same.”
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Dueto Dos Rosas’s tunes can be classified as rancheras or corridos, but their style has a very particular historical resonance.
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Rather than focusing on Mexicans in the United States, historian Carrie Gibson posits an expansive transnational history.
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In this valuable study, Caitlin Rosenthal isolates an assortment of business practices and technologies that reflect the sophistication of New World plantation economies — dispelling myths of their romantic crudeness.
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Delia Owens suggests that the only forward movement for her outsider-protagonist and “swamp trash” is to become curators of ecological/cultural museums in the very places where they once struggled for an independent life.
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Anders Walker’s The Burning House sheds fascinating light on a forgotten piece of intellectual history in the Jim Crow South.
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The unmistakable flavor of R&B can be found throughout Charley Crockett’s work
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Rev William Barber II has effectively demonstrated again and again what he often calls “fusion politics” across lines of race, age, and religion.
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When Vermont’s Mountain Man brings us its Appalachian vocal stylings the trio is venturing into the hollers of both the Green and the Blue Ridge Mountains.
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How will others in the Southern hip-hop scene react to this embrace of tradition by a Southern rapper with his feet firmly in the Gangsta Rap arena?
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