Jeremy Ray Jewell
Ted Olson continues bringing important location recordings of early American music back to light.
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A commentator on Macroblank’s Bandcamp page makes this telling assertion: “AI is Macroblank. Macroblank is AI.”
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In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.
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The music of Cameron Lew, in the persona of Ginger Root, makes us confront a fundamental truth: the familiar, after the passage of time, becomes the exotic
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We Carry Their Bones arrives at a time of increased interest in the history of racism and reform schools, particularly in Florida.
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We need to realize how important class is in order to understand how inequality can rise as Confederate monuments fall.
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For all of the book’s fascinating revelations, The Lost Southern Chefs leaves the reader with a number of unanswered questions.
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In Colombia and Encanto, willful ignorance is the price paid for reassurance.
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As we hopefully continue to reevaluate our relationship with Cuba, this masterful history should prove an invaluable asset for us all.
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Book Review: “We Uyghurs Have No Say” — When Truth Telling Becomes Subversive
What do the words of an imprisoned Uyghur dissident tell us about the desperate plight of China’s ethnic minorities today?
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