Marlowe’s skill in maintaining a high level of complexity put the history play on a sophisticated footing.
Informed Consent is the smartest play I’ve seen hit Boston area stages since the new year began.
Askins’ script is an amusing mash-up of sex comedy and supernatural horror parody.
Brilliant Adventures is an intriguing combo of realism and fantasy by an obviously talented dramatist.
All in all, Allyn Burrows has assembled a solidly entertaining production of a perennial Shakespearean favorite for the winter season.
The Underground Railway Theater serves up an hour and fifteen minutes of enchantment.
Carrie J. Preston refuses to characterize these cultural exchanges in moralistic or narrowly political terms.
Though Kenneth Lin wrote Warrior Class in 2012, it is easy to see its resonances with the 2016 election cycle.
Alice Birch’s play/polemic about radical feminism resists Company One’s earnest-to-the-max interpretation.
In this innovative production, Hamlet comes off as Shakespeare’s most successful genre mash-up of tragedy and comedy.