Helen Epstein
Edward Albee’s provocative theatrical exercise is far trickier to realize onstage than it is to appreciate on paper.
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I’m impressed with the new adaptation and depressed that it’s considered necessary.
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Becoming is a contemporary woman’s adventure told by an intelligent, funny narrator who took a leap out of her comfort zone and came out of it, with her family intact, to tell the tale.
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The Barefoot Woman is lyrical but also informative and ethnographic, as much a memoir of a mother as it is of her way of life.
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I was excited, moved, impressed, and surprised by Handel & Haydn Society’s performance of The Messiah under the exacting baton of Bernard Labadie.
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Every performance of opera should leave an audience so exhilarated.
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Claire Tomalin narrates her story with a prototypically English stiff upper lip, and a reticence about the personal.
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This is a first-rate production of a true American classic.
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This slender memoir reads like a rambling conversation with a literary stranger you meet on a train.
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Mothers and Sons is one of veteran playwright Terrence NcNally’s finest works.
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