Helen Epstein
Camille Pissarro lived to be 73. As he aged, he looked more and more like the prototype of a Sephardic Jew. Anti-Semitic rioting accompanied the Dreyfus Affair; the painter found it prudent to stay inside his hotel room in Paris.
This is a highly satisfying evening of light theater that provokes its audience to bursts of recognition, laughter and sorrow in quick succession.
ONE HUNDRED NAMES FOR LOVE is an intermittently engaging and very useful book for millions of partners, parents, children, friends and caretakers of stroke victims as well as anyone else interested in the workings of the mind.
Ambitious, by turns captivating and exasperating, this sprawling book is like an enormous photomontage—that popular German art form of the 1920s—made up of textual mosaics from newspaper articles, diary entries, letters, novels, or, on occasion, FBI files.
Updated Local artist, curator and arts educator Susan Erony, whose text piece on silk “To Gloucester with Love” is a setting of a Charles Olson poem, gave a model of an arts center talk on the evolution of text as visual art.
Willy Russell’s play is a keeper. It’s tightly-crafted, emotionally generous, and—most of all—FUN! It provides one hell of a dramatic vehicle for a director attuned to the comedy of “higher” education. Educating Rita by Willy Russell. Staged by the Huntington Theatre Company at the Boston University Theater, Boston, MA, through April 10. By Helen Epstein…
Running through March 14, the Jewish Film Festival is a thinking person’s cinema experience with provocative introductions and post-film Q and As.
The snow is gone, daffodils are coming up in Central Park, and there are terrific shows in all of the major New York museums. The three I saw—at the Guggenheim, the Neue Galerie, and the Whitney —all draw on the early part of the twentieth century when artists in Europe and the United States were…
I’ve been going to BSO Open Rehearsal for some 50 years at Tanglewood and can’t remember ever having as alienating an experience as I and over one thousand other attendees had Wednesday night at Symphony Hall.
Although its interior says 21st century, the Shalin Liu Performance Center has a homespun, American 19th-century facade that made me think of Mark Twain and the provincial opera houses of the California Gold Rush. Care was taken to reference the original Haskins Building that once housed a clothing store called Madras and the local yacht…
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