Gerald Peary

Fuse Film Feature: Confessions of a Movie Critic — Waiting for His Next Close-up

January 30, 2014
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Who doesn’t want to be in a movie?

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TV Review: HBO’s “Looking” — Gay Life as Sweet and Sincerely Humanist

January 22, 2014
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Without being preachy, HBO’s “Looking” offers a fine lesson that being totally out of the closet, as are all the many characters, can lead to a cool cool (and also hot hot) existence.

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Film Review: “The Invisible Woman” — The Elusive Story of Boz’s Babe

January 17, 2014
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We do feel Charles Dickens’s heart tenderly beating, swept away by Nelly Ternan’s poised beauty, and it’s touching in an almost Chekhovian way, his being smitten by a love which can only bring sorrow.

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TV Review: HBO’s “True Detective” — A Work in Progress

January 8, 2014
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Nic Pizzolatto’s scripts for “True Detective” have their moments but, self-consciously literary, they also are painfully overwritten.

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Movie Review: “A Touch of Sin” — A Fearless Vision of Corruption in Contemporary China

January 2, 2014
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In “A Touch of Sin,” four depressing stories float into one other, all said to be based on news stories from Chinese papers.

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Movie Review: The Ten Best Films of 2013 — Our Lists

December 28, 2013
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The most unfairly maligned film of the year: Ridley Scott’s “The Counselor.” The most overrated movie of the year, which gave me a mammoth headache: “American Hustle.”

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FIlm Review: “Inside Llewyn Davis” — Opaque to a Fault

December 20, 2013
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“Inside Llewyn Davis” is a watchable if not particularily compelling tale of the never-ending woes of the protagonist, a walking basket case of self-destruction.

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Television Review: “Six by Sondheim” on HBO — A Fabulous Musical Showcase

December 10, 2013
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It’s possible to argue with several of Stephen Sondheim’s selections. Are all of these his best achievements? Yet it hardly matters, because the composer’s tales of his artistic life, culled from probably a dozen interviews, are completely fascinating.

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Fuse Movie News: Boston Society of Film Critics — 2013 Awards

December 8, 2013
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The big BSFC winner was “12 Years a Slave,” which beat “The Wolf of Wall Street” for Best Picture, Best Director (Steve McQueen), and Best Actor (Chiwetel Ejiofor).

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Film Review: Not Enough Joy in Director Chris Marker’s “Le Joli Mai”

December 6, 2013
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“Le Joli Mai” is serious and sober, a bit of a downer, climaxing in a lengthy interview with a dullard union official about why he supports the French Communist Party.

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