Gerald Peary

Film Review: Chris Rock’s “Top Five” — Only Funny on the Fringes

December 29, 2014
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Perhaps Top Five is Chris Rock’s penance for doing lucrative-paying voices for the insanely popular Madagascar animation franchise.

Book Review: “Missing Reels” — Breezy Film Fiction

December 19, 2014
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Ace film blogger Farran Smith Nehme’s first novel grows directly out of her adoration of classic American cinema.

Film Review: “Zero Motivation” — An Enthralling Hebraic Version of “M*A*S*H”

December 12, 2014
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Are men totally useless in Zero Motivation? Well, they can come in handy when you want to use one of them as a sexual object.

Film Review: “The Homesman” — A Western That Rides into Thrilling and Unexpected Places

November 28, 2014
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Tommy Lee Jones’s The Homesman could have been an old-fashioned Hollywood Western. Thankfully, it isn’t.

Film Review: “The Irish Pub” — A Too Polite Homage to the Old-fashioned Gaelic tavern

October 26, 2014
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So what’s the verdict on The Irish Pub? A well-meaning film, but lacking in excitement.

Film Review: The Intriguing Documentary “Art and Craft” — Getting a Kick From Copying Art

October 15, 2014
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Why, when finally caught, didn’t mark Landis land in jail? Here’s the rub. He was a consummate liar and a big-time deceiver but he’s never committed a jailable crime.

Book Review: “The Great Gatsby” — The Greatest American Novel?

October 11, 2014
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There’s no debate: The Great Gatsby is the Great American Novel, with Moby Dick and Huckleberry Finn as also-rans.

Film Review: 1967’s “Accident” — Romance Among Frigid, Upper-Class Brits

October 1, 2014
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Playwright Harold Pinter is behind the austere screenplay, keeping things puzzling, an often silent script punctured with bursts of cryptic, hostile dialogue.

Film Review: Beware of “Last Days in Vietnam” — A Whitewash of the War

September 26, 2014
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Contextualizing is everything. And that’s particularly true of Last Days in Vietnam, where the odious things Americans did there weigh down the ostensible heroics shown in our exiting the country.

Film Review: “At the Devil’s Door” — Satan Never Naps

September 18, 2014
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The highest praise for the way the great cinematographer Bridger Nielson has lit the film’s haunted house..

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