Ezra Haber Glenn

Film Review: “Belfast’ — Black and White and Rosy All Over

November 16, 2021
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Belfast is overly sentimental and drenched if not drowned in nostalgia, but it’s also very sweet, uplifting, well-paced, beautifully shot, and competently assembled.

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Film Review: “Terra Femme” — Only Connect…

November 3, 2021
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Collectively, Terra Femme’s footage provides a window — or really, a suite of windows — that allows us to view a bygone world through the eyes of silent female gazers.

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Film Review: “Blue Bayou” — “I’m Going Back Someday…”

September 17, 2021
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Blue Bayou’s story deserves to be told and heard. But rather than focus slowly and intently on its central crisis, the script kneads in a dizzying array of additional threads and sidelines.

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Film Review: Interrogating Guilt — Paul Schrader’s “The Card Counter”

September 9, 2021
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The Card Counter collapses under the weight of director Paul Schrader’s guilt complex.

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Arts Reconsideration: The 1971 Project — Blue Lives Madder, “Dirty Harry” Turns 50

June 4, 2021
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The path Dirty Harry (and too many of his defenders, then and now) chose to pursue — the urban policing version of “killing the village in order to save it” — was outdated and discredited even in 1971.

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Film Review: How do you (Re)make a Movie of “Berlin Alexanderplatz”?

April 30, 2021
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This new adaptation is sure to spark criticism from Döblin and Fassbinder loyalists, as well as those who might feel the film is not politically progressive enough. Nonetheless, it strikes the right chords: balancing between textual fidelity and contemporary relevance.

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Film Review: “Lapsis” — A Satirical Sci-Fi Send-Up of the Gig Economy

April 2, 2021
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This new satirical sci-fi fable is perfect for home streaming to channel (or perhaps exacerbate) your gnawing anxieties at a world slipping into anti-human automation and free-market desperation.

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Film Review: Being and Time in “Truth or Consequences”

March 4, 2021
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This is a thoughtful, surprisingly moving, and extremely ambitious film, one that employs an innovative style and some unconventional pacing to explore an unusually complex philosophical and emotional landscape.

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Film Review: Wither the People of Magnitogorsk — “Kombinat”

March 2, 2021
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Without ignoring the terrible-beautiful magnetism of the industrial imagery we love to hate and hate to love, the camera is gradually, gently, drawn across the river and away from the workday, to spend time with these very real humans who serve the machines.

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Film Review: “The American Sector” — Meditating on Displaced Fragments of History

February 15, 2021
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Over 75 segments from the Berlin Wall have found their way to the U.S., providing the subject for The American Sector, an amusing, quirky, and meditative road-trip/scavenger hunt.

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