Ezra Haber Glenn
Censor explores thought-provoking questions about the strange relationships between films, society, fantasy, and reality — and individual identity — in an increasingly mediated and violent world.
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Fern may be house-less, but she’s not homeless — there’s a difference, she explains; her home will be the road, and the road is full of life, love, challenges, and surprises, all there for the taking.
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While the film is determinedly called “Herself “(“you got this, girl…”), the subtitle could equally have been “It Takes a Village…”
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This innovative “documentary” is a major accomplishment: it merits a much broader viewing than it is likely to attract (this one has “sleeper” and “cult classic” written all over it).
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Like a day in a Disney dream-land, the “heaven-on-earth” glow of life in The Villages ultimately fades – quicker for some than for others.
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In this innovative series, the Huntington Theatre Company has charged 11 local playwrights to imagine a future vision of Boston, post-pandemic, when “we can once again meet and connect in our city.”
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Design Review: A Singular Art Nouveau Shop Front in Harvard Square