Arts Fuse Editor
Edward Loder’s well-crafted Raymond and Agnes (1855) captures much of the eerie glow of its Gothic model, Matthew Lewis’s once scandalous novel, The Monk.
Temptations 60 celebrates the band’s 60th anniversary, and it strikes a careful balance between looking backward and staying grounded in the here-and-now.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
The author of The Resisters returns with a timely collection of stories about the connections and contradictions linking America and China.
The format may be different, but FKA twigs remains as hypnotic as ever on her album Caprisongs.
This dispatch reviews three documentaries that are very different from each other, but are all fascinating and engaging. This was an excellent year for documentaries at Sundance. I will review several more before this year’s dispatches are complete.
Yto Barrada’s intent in this show is not to warn about environmental catastrophe so much as to explore where culture and the natural world meet.
These three Sundance films supplied very intense viewing experiences.
You know how the story is going to end, but it can only unfold if you take Cassandra’s hand and follow where she knows to go. Believe that she knows the way.
We learn that Navalny — if we didn’t know it already from reporters who cling to Putin’s charismatic nemesis — is a persuasive man who has gotten a long way on his wits and courage.
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