Arts Fuse Editor
Recently, some artists have come out of the closet and put their prog hearts on their sleeves with new recordings that celebrate the heyday of progressive rock.
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White Hot is a compelling watch, and not only for those who shopped at Abercrombie & Fitch.
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When listeners outsource their listening to streaming organizations, as they commonly do, they are often directed to music that has been selected to fatten up someone’s bottom line, not to enrich and expand their musical lives.
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These two superb new releases were both recorded at a former fire station in Connecticut.
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A thorough sociologist, Carolyn Chen shows, step-by-step, how companies self-consciously appropriate religious language and rituals, creating a ‘theology’ in which work and purpose are perfectly aligned in the lives of their highest-value employees.
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The album features seven tracks played by five different groups fronted or co-led by guitarist John McLaughlin.
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Three singular voices – Ken Russell, Bob Rafelson, and Brian De Palma – all of whom had their careers in gear before the end of the previous decade, each of whom took interesting turns with the films they released in 1972.
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The record companies are bringing us unsuspected marvels from past and present that we might otherwise never hear, from astonishing Handel-era works and brand-new American pieces to elegantly performed guitar sonatas from 19th Century Vienna.
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Some substantial works by composer Felix Mendelssohn remain overlooked.
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Theater Commentary: A Wacky Vision of Violence — “Gary: A Sequel to Titus Andronicus”
Finally, a sign that American theater might be facing the world of violence outside of its usual provincial purview.
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