Arts Fuse Editor
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Kirsty Bell’s psychological-cultural-topographical-historical walking tour of Berlin is an idiosyncratic delight.
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Abbas Kiarostami was the most important filmmaker to come out of the New Iranian Cinema movement, which spawned works that became staples in film festivals worldwide from the late ’80s on.
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A one-hour opera that the world forgot — a world-premiere recording of Saint-Saëns’s Phryné.
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In World Wide Pop, the London pop collective looks for peace in the digital cosmos, despite intimations of coming oblivion.
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Faleeha Hassan’s assessment of the damage America caused — through the ‘good intentions’ of regime change — may surprise many who depended on the mainstream media to learn about what happened in Iraq.
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This dark and jazzy noir drama would be compelling if it just focused on dramatizing a jazz artist’s quest for artistic perfection.
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For all of the music’s fury, protest, anguish, and raw brutality, Tattoo the Earth was a lovefest.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Cultural Feature: Boston’s “Gay & Lesbian Review Worldwide” — Still Going Strong After Three Decades
More than 1,400 writers have been featured in G&LR’s uninterrupted run over the last three decades.
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