Arts Fuse Editor
The second season of The White Lotus is decidedly darker than the first, and the air of decadence and luxury is overshadowed by a disturbing aura of danger, even evil.
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Now, more than a year after Kabul fell, Afghanistan, where a conflict media-branded as “America’s longest war” waged for twenty years, barely makes the news.
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“What I love about H&H is they are hugely passionate. You feel their love and joy for this music. And they have such a willingness to want to go deeper, to rehearse.”
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Deeply indebted to her relationship to persons and places, José-Flore Tappy uses poetry as a way to revisit them, honoring the absent through poems co-created by memory and imagination.
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Many Thanksgiving myths are dispelled, but the effort to reverse decades of misinformation leads to oversimplification at times.
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Much of the charm of The Sex Lives of College Girls comes from how messy the girls are.
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In A Fan’s Life, Paul Campos makes a valiant stab at reconciling his avowedly progressive views on American politics and iconoclastic intellectual pursuits with his lifelong obsession with spectator sports.
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Thoughtful and intriguing, the concert reminded listeners that a lot of great music has been marginalized and all but lost to history.
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The Idea of Prison Abolition is a worthwhile book, but Dr. Shelby’s case, philosophically strong as it might be, is not very likely to convince prison abolitionists.
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Arts Biz Commentary Update: Ticketmaster and Live Nation Entertainment Got Some Explainin’ to Do
How do you spell a monopoly that is killing the live music industry? Live Nation Entertainment, Inc.
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