Arts Fuse Editor
Most everyone has heard the faux-scandalous name. What has not been heard enough is that Pussy Riot are the purest and most potent expression of the punk-rock ethos ever.
Read MoreAdding a female voice to an established funk/roots band can be tricky — but it took about half a song for Maggie Koerner to win over the crowd on Friday.
Read MoreBoth of these exhibitions challenge our very notions of time and identity and the social structures around us.
Read MoreArts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
Read MoreAaron Swartz is indeed a martyr, but there’s more here. The film identifies an ongoing battle over control of information as much as it explores a troubled life that ended far too soon.
Read MoreThere is more than one way to tell the truth, “The Good Lord Bird” reminds us again and again, and many reasons to cloak it in humor.
Read MoreEach of Susan Metrican’s pieces is coy and playful. Moving through the gallery is an adventure, visually and spatially.
Read MoreIn his performances, Philip Seymour Hoffman was able to give enormous depth to the loners, the scoundrels, the lost, the villainous, and the heartbroken.
Read MoreClaire Kilroy’s dark and fantastical comedy “The Devil I Know” nails the greed and rampaging ambition of the corrupt avatars of “the new Ireland” — developers, bankers, and government pooh-bahs.
Read MoreArts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
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Arts Commentary: Rich in Creativity — But Nothing Else