Arts Fuse Editor

Fuse Coming Attractions: What Will Light Your Fire This Week

July 13, 2014
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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.

Arts Remembrance: Tommy Ramone — Gabba-Gabba Hey, Now and Forever

July 12, 2014
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The late Tommy Ramones’ drumming was as key as any component in the band’s makeup.

Visual Arts Review: Red Writ Large — Soviet Propaganda from the Cold War Era

July 11, 2014
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Darker Shades of Red focuses on the Soviet Union’s creation of internal propaganda, its array of striking posters aimed at keeping those in the Motherland and the satellites in line.

Fuse Film Review: “Third Person” — Too Mysterious for Its Own Good

July 7, 2014
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In Third Person , the characters are so intentionally mysterious that, oddly, the surfeit of enigma denies them any depth of personality.

Fuse Coming Attractions: What Will Light Your Fire This Week

July 6, 2014
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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.

Fuse Film Review: “Begin Again” — Lost Souls Making Uneven Music Together

July 5, 2014
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Begin Again is a film with considerable flaws and strengths. The later include stellar performances by Mark Ruffalo, Catherine Keener, and Hailee Steinfeld.

Jazz Review: Ginger Baker’s Jazz Confusion — A Taste of Genius

June 30, 2014
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If drummer Ginger Baker’s staring into the abyss, he’s doing it with defiance and a good beat.

Fuse Coming Attractions: What Will Light Your Fire This Week

June 29, 2014
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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.

Film Review: A Superior “Lift”

June 28, 2014
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Lift explores so many divergent issues that it would have been easy for the filmmakers to only give lip service to problems it raises. Thankfully, that is not the case.

Film Review: A Much Too Predictable “Escapement”

June 26, 2014
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Even given the over-the-top wish-fullfillment of the film’s plot, Escapement’s weak dialogue and lack of subtlety proves to be its ultimate undoing.

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