Arts Fuse Editor
Selma doesn’t dare to offer the viewer anything new.
Arts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
This was the sixth consecutive year the double bill of Cracker and Camper Van Beethoven hit the Middle East on MLK weekend; it was sold-out as usual.
Of all the cinematic indictments of the 1% that have flooded the multiplex in the wake of the financial crisis, Bennett Miller’s Foxcatcher stands as one of the most understated.
Intentionally or not, much of the “Hot Stove, Cook Music” concert was flashback to the Boston scene 20 years ago .
The Imitation Game is a movie that should have made us angry, but it merely makes us sad.
Arts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
Not since the closing of Boston’s Exeter Street Theatre have so many of Alex Guinness’s classic films been available to be viewed on a local big screen.
National Pride (and Prejudice) wants us to reexamine the relationship between a country’s iconic images and its not-so-reassuring realities.
Visual Arts Commentary: The Telling Anonymity of Political Street Art
Highlighting the identity of artists is essential in art world journalism, but it appears to be unimportant when reporting on the artistic contributions to political street demonstrations.
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