Arts Fuse Editor
Otto Piene’s art is at once appealing, accessible, and yet somehow unworldly: joyful mystery yoked to dynamic playfulness.
American Sniper is classic Clint Eastwood. Dirty Harry vs the bad guys, and the bad guys all look like ‘them.’
Inherent Vice is a giddy, trippy potpourri that tries to make a virtue of never quite settling on what kind of story it wants to tell.
Arts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
Johannes Moser is a cellist I have admired for some years.
Selma doesn’t dare to offer the viewer anything new.
Arts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
This was the sixth consecutive year the double bill of Cracker and Camper Van Beethoven hit the Middle East on MLK weekend; it was sold-out as usual.
Of all the cinematic indictments of the 1% that have flooded the multiplex in the wake of the financial crisis, Bennett Miller’s Foxcatcher stands as one of the most understated.
Visual Arts Commentary: The Telling Anonymity of Political Street Art
Highlighting the identity of artists is essential in art world journalism, but it appears to be unimportant when reporting on the artistic contributions to political street demonstrations.
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