Arts Fuse Editor
The Golden Dragon Acrobats’ Cirque Zíva is part dance, part acrobatics, and 100 percent spectacle.
Each piece is so different from the others in Shades of Sound that the evening provides something for everyone, giving the company a chance to showcase its phenomenal technique.
Winter Sleep is not the cinematic masterpiece so many have been hailing it to be.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
If these efforts are representative of Icelandic cinema, it is time for movie lovers to start paying much closer attention.
“The kids in Boston accepted us unconditionally, and we hung out with everyone out there—Barrence Whitfield, the Bristols, the Del Fuegos.”
Yasmina Reza’s dollhouse of a novel is a miniaturist’s miracle.
Rejecting unadorned box-like designs, Michael Graves created with patterns, textures, decorations and color in ways large and small.
One leaves History of Fear feeling that the director wants to stir up our anxiety about the omnipresence of fear itself.
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