Arts Fuse Editor
Axel Krygier wisely treats the album’s framing concept as lightly as possible, turning Monsieur Bigfoot into a sort of Everyhominid who offers existential-woe comments on a variety of subjects.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
The 18th Annual Jewish Film Festival approaches its end with two compelling cinematic looks at Jewish history.
À la Vie, screening as part of the 18th Annual Jewish Film Festival, is easily the best film I have seen so far this year.
A cursory scan of audience reviews on the Ticketmaster website suggests that Rundgren’s current tour was disappointing his fans on a scale probably not seen in rock music since Bob Dylan went to England in 1966.
Not everybody loves the documentary Last Days in Vietnam. Director Rory Kennedy responds to some of the criticism.
I wondered why the Elders Ensemble program so consistently portrayed the elders as somber and withdrawn.
Both of these entries in Jewishfilm 2015 have their entertaining moments, but the movies ultimately fail to deliver.
Peter Gizzi is a master at allowing his poetic language to summon its own range of meanings, rather than blatantly declaring them to the reader.
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