Arts Fuse Editor
“Ballet is only good when it is great,” the legendarily unblinking dance critic Arlene Croce once wrote; whenever I bring that judgement to mind it makes me both swallow hard and sigh softly.
The Theodore Baird House is a special place; the only Frank Lloyd Wright structure in Massachusetts.
Looked at on his own terms Thomas Hart Benton is an American Master and deserves to be reconsidered.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
In A Swedish Love Story, Roy Andersson muses on the meaning of life, but for the first and last time he expresses his sense of life’s absurdity through an accessible plot line.
Cinderella isn’t a lavish spectacle à la the Met, but rather, like its heroine, modest on the surface while pulsing with a generous heart underneath.
The overriding theme in Roy Andersson’s films is the conflict between human frailty and our delusions of control.
One thing I’ve learned in years of being a Rush fan: Nobody ever changes their mind on this band.
Arts Fuse Appreciation: Ornette Coleman’s Horn of Plenty
So there was the Ornette Coleman Quartet, leading off the final side of vinyl with a cut that changed my life, “Lonely Woman.”
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