Arts Fuse Editor

Book Review: “City on Fire”—Epic Literary Kindling

October 24, 2015
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For a long novel, City on Fire is generously accessible and one of its strengths is in its absorbing, immersive momentum.

Film Review: “He Named Me Malala”—Embracing the Obvious

October 23, 2015
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I love the inspirational story of Malala, but this film doesn’t dig below the headlines.

Fuse Visual Arts: Sound in the Now—”Curious Sound Objects” at Boston Cyberarts Gallery

October 21, 2015
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Curious Sound Objects showcases works that sit at the intersection of art and science as well as aesthetics and technology.

Fuse Blues CD Review: Blues Spirit Catcher—Ironing Board Sam Beats the Odds Again

October 21, 2015
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Blues feeling remains as unpredictable as ever. Who would have guessed that its strongest incarnation this year so far would be Ironing Board Sam’s Super Spirit?

Book Review: Towering Rage and Bottomless Mirth—Jonathan Franzen’s “Purity”

October 20, 2015
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My biggest gripe is with a central tenet of Jonathan Franzen’s fiction: communication between generations is impossible.

Fuse Dance Review: Doug Varone and Dancers—Dense and Transparent Layers

October 20, 2015
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Doug Varone’s strong sense of design, color, and music lends depth and a certain mystery to his dances.

Dance Interview: Luminarium Dance Company goes “Spektrel” for Halloween

October 19, 2015
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The “treats” being offered throughout Spektrel’s four dances are an eclectic variety of movement, music, and moods.

Fuse Coming Attractions: What Will Light Your Fire This Week

October 18, 2015
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

Fuse TV Review: “Fargo” Season Two—Viscid, Vivid, and Nearly Perfect

October 17, 2015
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If the first episode is any indication, season two of FX’s Fargo is going to be an almost pitch-perfect sophomore effort.

Film Review: “Lost in the Bewilderness” — Where Myth and Reality Meet

October 15, 2015
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Filmmaker Alexandra Anthony’s ambitious debut documentary was, in essence, fifty years in the making.

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