Arts Fuse Editor
“I hope that these new venues still want to book the occasional seasoned musician, because audiences of all ages still love rock and roll.”
Steve Jobs approached Sapper about heading up design for Apple. Politely, he declined the offer because he was too busy at the time.
Before Lou Reed and the Velvet Underground, before Iggy Pop, before the New York Dolls, David Bowie was my personal post-’60s music inamorata.
Jay Atkinson does a great service to the complexities of history by portraying the bloody tragedy of each side’s mutually deadly incomprehension.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
The implausibility of The Revenant is jaw-dropping.
Despite being entrapped in a controlling social order, the sisters behave as most adolescents do: sometimes impulsively.
Charlie Kaufman crafts worlds where people find love in unlikely places, and lose love so easily you’d think they actually want to be miserable.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
In his best screenplays, Graham Greene explored the idea of the protagonist as anti-hero well before it became a popular trope in the 1950s and ’60s.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic